BIBLIOGRAPHY
    ECU African Art Collection

    Anderson, Martha G., and Christine Mullen Kreamer. Wild Spirits, Strong Medicine: African Art and The Wilderness (Seattle and London: University of Washington Press, 1989).

    Bassani, Ezio, and William B. Fagg. Africa and the Renaissance: Art in Ivory (New York: The Center for African Art, 1988).

    Bastin, Marie-Louise. Introduction aux Arts d'Afrique Noire (Arnouville, France: Arts d'Afrique Noire, 1984).

    Biebuyck, Daniel. The Arts of Zaire: Southwestern Zaire. 2 vols. (Berkeley, Los Angeles, and London: The University of California Press, 1985).

    Blackmun, Barbara W. and Jacques Hautelet. Blades of Beauty and Death: African Art Forged in Metal (New York: OAN/Oceanie-Afrique Noire, 1990).

    Bodrogi, Tibor. Art in Africa (New York: McGraw-Hill, 1968).

    Borgatti, Jean M., and Richard Brillant. Likeness and Beyond: Portraits from Africa and the World (New York: The Center for African Art, 1990).

    Bourgeois, Arthus P. Art of the Yaka and Suku. (France: Offset Arcueil, 1984).

    Bourgois, Geert Gabriel. Decorated Rings in Cire-perdue from the Senufo (Belgium: Letters and Arts Publishers, 1988).

    Brincard, Marie-Therese, ed. Sounding Forms: African Instruments (New York: The American Federation of the Arts, 1989).

    Burt, Eugene C., ed. African Art: Five-Year Cumulative Bibliography, mid-1983 through 1988; Ethno Arts Index Supplemental Publication No. 3 (New York: OAN/Oceanie-Afrique Noire, ).

    Celenko, Theodore. A Treasury of African Art from the Harrison Eioteljorg Collection (Bloomington: Indiana University Press, 1983).

    Chambliss, the Reverend J.E. The Life and Labaors of David Livingstone: Covering His Entire Career in Southern and Central Africa (Philadelphia: Hubbard Bros., 1875).

    Chanda, Jacqueline. African Arts and Cultures. (Worcester, Massachusetts: Davis Publications, Inc., )

    Ciparisse, Gerard, and Jacques Rouwez. Muziek van de Yaka (Tervuren, Belgium: Musee Royal de l´Afrique Centrale, 1972).

    ____________, Art Royal Kuba (Milan: Grafica Spiiel, 1982).

    Colonne Colon Kolo: Dec. 1980-Jan. 1981 (Munchen: Fred Jahn Biedermann Offsetdruck, ).

    Cornet, Joseph. A Survey of Zairian Art: The Bronson Collection. (Raleigh: The North Carolina Museum of Art, 1978).

    ____________, Art de l'Afrique Noire au Pays du Fleuve Zaire (Brussels: Arcade, 1972).

    Corps sculptes, corps pares, corps masques Chefs-d'oeuvre de Cote-d'Ivoire (Mame Imprimeurs, 1989).

    Darish, Patricia. Fired Brilliance: Ceramic Vessels from Zaire (Kansas City: The University of Missouri-Kansas City Gallery of Art, 1990).

    Dietz, Betty Warner, and Babatunde Olatunji. Musical Instruments of Africa: Their Nature, Use, and Place in the Life of a Deeply Musical People (New York: The John Day Company, ).

    Drewal, Henry John, John Pemberton III, and Rowland Abiodun. Yoruba: Nine Centuries of African Art and Thought(New York: Harry N. Abrams, Inc., 1989).

    Edelman, Nancy W. The Art of Cameroon in the Mt. Febe Benedictine Monastery Museum, Yaounde (Yaounde, Cameroon: Mt. Febe Benedictine Monastery Museum, 1989).

    Escultura Africana em Portugal: Introducao a escultura dos grupos representados e legendas (Lisbon: Museu de Etnologia, 1985).

    Fagg, William. Yoruba Beadwork: Art of Nigeria (New York: Rizzoli International Publications, Inc., 1980).

    Felix, Marc C. 100 Peoples of Zaire and Their Sculpture (Brussels: Zaire Basin Art History Research Foundation, 1987).

    Fischer, Eberhard, and Hans Himmelheber. The Arts of the Dan in West Africa (Bern, Switzerland: Stampfli & Cie AG, 1984).

    Fischer, Werner, and Manfred A. Zirngibl. African Weapons: Knives, Daggers, Swords, Axes, Throwing Knives (Passau, Germany: Prinz-Verlag, 1978).

    Frobenius, Leo. La Civilisation Africaine (Paris: Groupe de Presses de la Cite 8, 1987).

    Gansemans, Jos. Les Instruments de Musique Luba (Shaba, Zaire) (Tervuren, Belgium: Musee Royal de l'Afrique Centrale, 1980).

    Geary, Christraud M. Images from Bamum: German Colonial Photography at the Court of King Njoya, Cameroon, West Africa, 1902-1915 (Washington, DC, and London: Smithsonian Institution Press, 1988).

    Gebauer, Paul. Art of Cameroon (New York: Metropolitan Museum of Art and Portland,Oregon: Portland Art Museum, 1979).

    Gillon, Werner. A Short History of African Art (New York and Bicester, England: Facts on File Publications, 1984).

    Grimes, John R. The Tribal Style (Salem, Massachusetts, 1984).

    Hersak, Dunja. Songye Masks and Figure Sculpture (London: Ethnographica LTD, 1986).

    Hultgren, Mary Lou, and Jeanne Zeidler. A Taste for the Beautiful: Zairian Art from the Hampton University Museum (Hampton, Va.: Hampton University Museum, 1993).

    Journal de la Societe des Africanistes, Vol. XL, No. 1, ´La Poterie en Pays Sarakole (Mali, Afrique Occientale): Etude de Technologie Traditionelle´ (Paris: Musee de l´Homme, 1970).

    Kecskesi, Maria. African Masterpieces and Selected Works from Munich: The Staatliches Museum fur Volkerkunde (New York: The Center for African Art, 1987).

    Koloss, Hans-Joachim. Art of Central Africa: Masterpieces from the Berlin Museum fur Volkerkunde (New York: Harry N. Abrams, Inc., 1990).

    Laclavere, Georges. Atlas of the United Republic of Cameroon (Paris: Editions Jeune Afrique, 1980).

    Lamal, F. s.j. Besuku et Bayaka, des Districts Kwango et Kwilu au Congo (Tervuren, Belgium: Musee Royal de l'Afrique Centrale, 1965).

    Laurenty, J.S. Les Sanza du Congo: Plances et Cartes (Tervuren, Belgium: Musee Royal de l'Afrique Centrale, 1962).

    __________, Les Sanza du Congo (Tervuren, Belgium: Musee Royal de l'Afrique Centrale, 1962).

    MacGaffey, Wyatt, ed. Art and Healing of the Bakongo Commented by Themselves: Minkisi from the Laman Collection (Goteborg: Graphic Systems AB, 1991).

    Mack, John. Emil Torday and the Art of the Congo 1900-1909 (Seattle: The University of Washington Press, ).

    Martin, Phyllis M., and Patrick O´Meara. Africa, 2nd edition (Bloomington: Indiana Univeristy Press, 1986).

    Meyer, Laure. Art and Craft in Africa; Everyday Life, Ritual and Court Art (Italy: Bayard Press, 1995).

    Mongo Culrue: Wettelijk Depot (New York: OAN/Oceanie-Afrique Noire, 1984).

    Montbarbon, Guy. Ader Picard Tajan (Paris: Drouot-Montaigne, 1990).

      Ader Picard Tajan, 1990.
      Ader Tajan. Collection A. et A.G., 1993.
      Jean-Louis Picard. Afrique-Oceanie Antique, Fondation Aborigo et a divers, 1994.
      Jean-Louis Picard. Arts d'Afrique et d'Oceanie, de la Collection Andre Blandin, 1994.
      Jean-Louis Picard. Arts d'Afrique et d'Oceanie, des Collections JacquesUlmann, Claude de L. Marie Kiriloff, Felix Marcilhac, 1993.
      Jean-Louis Picard. Arts Primitifs Afrique-Oceanie, 1992.
      Jean-Louis Picard. Collection Roger Budin (Geneve et a divers amateurs, 1991).

    Moorehead, Alan. The White Nile (New York: Vintage Books, 1987).

    Ndege, Conchita, and Robert Nicholls. African Musical Instruments and African American Popular Musical Forms (Greensboro, NC: North Carolina A & T State University, 1994).

    Neyt, Francois. Les Sculptures Miniatures du Zaire(Munchen: Fred and Jens Jahn, 1984).

    Nkwi, P.N., and J.P. Warnier. Elements for a History of the Western Grassfields (The University of Yaounde Publication, 1982).

    Nooter, Mary H. Secrecy. African Art that Conceals and Reveals (New York: The Neues Publishing Company, 1993).

    Northern, Tamara. The Sign of the Leopard: Beaded Art of Cameroon (Stoors, Connecticut: The William Benton Museum of Art, 1975).

    Northern, Tamara. Splendor and Secrecy: Art of the Cameroon Grasslands (New York: Pace Primitive and Ancient Art, 1979).

    __________, The Art of Cameroon (Washington, DC: Smithsonian Institution, 1984).

    Nunley, John W., and Judith Bettelheim. Caribbean Festival Arts(Seattle and London: The University of Washington Press, 1988).

    Objets Interdits (Paris: Editions Dapper, 1989).

    Parrott, Fred J. Introduction to African Arts of Kenya, Zaire, and Nigeria (New York: Arco Publishing Company, Inc.,1972).

    Pelrine, Diane M., and Patrick R. McNaughton. African Art from the Rita and John GrunwaldCollection (Bloomington and Indianapolis: Indiana University Press, 1990).

    Polfliet, Leo. Bodies of Resonance: Musical Instruments of Zaire (New York: OAN/Oceanie-Afrique Noire, 1985).

    __________, Traditional Zairian Pottery (Munchen: Galerie Fred Jahn Studio, 1987).

    Preston, George Nelson. Sets, Series & Ensembles in African Art (New York: Harry N. Abrams, Inc., 1985).

    Pruitt, Sharon. Lecture 12/1/93, East Carolina University, Greenville, NC.

    Rosefielde, Susan J. African Sculpture and Artifacts in the Collection of the William Hayes Memorial Art Center (Chapel Hill: The Univeristy of North Carolina at Chapel Hill,1977).

    Schildkrout, Enid, and Curtis A. Keim. African Reflections: Art from Northeastern Zaire (Seattle and London: The University of Washington Press, 1990).

    Schmidt-Wrenger, Barbara. Muziek van de Tshokwe uit Zaire (Tervuren Belgium: Musee Royal de l´Afrique Centrale, 1975).

    Schweitzer, Albert. On the Edge of the Primeval Forest and More from the Primeval Forest: Experiences and Observations of a Doctor in Equatorial Africa (New York: Macmillan Company, 1948). Segy, Ladislas. African Sculpture Speaks (New York: Hill and Wang, 1969).

    Sieber, Roy and Adele Walker. African Art in the Cycle of Life (Washington, D.C.:Smithsonian Institution, 1987).

    Sotheby´s.

      Highly Important Tribal Art from a French Private Collection, London, 21 June 1993.
      Important African Art: The Michel Gaud Collection, London, 29 November 1993.
      Important Tribal Art, London, 2 July 1990.
      Important Tribal Art, New York, 20 November 1990.
      Important Tribal Art, New York, 15 May 1991.
      Important Tribal Art, London, 17 June 1991.
      Important Tribal Art, New York, 18 May 1992.
      Important Tribal Art, London, 24 June 1992.
      Important Tribal Art, London, 21 June 1993.
      Important Tribal Art, New York, 9 November 1993.
      Important Tribal Art, New York, 20 November 1991.
      Important Tribal Art, London, 28 November 1994.
      The Alexander S. Honig Collection of African Ar, 18 May 1993.
      The Harry A. Franklin Family Collection of African Art, New York, 21 April 1990.
      The Kuhn Collection of African Art, New York, 20 November 1991.
      The Peter Hallinan Collection of Melanesian Art, London, 7 December 1992.
      The Roy G. Cole Collection: Fine American Indian Art, New York, 12 June 1992.
      Tribal Art, New York, 24 November 1992.
      Tribal Art, London, 26 March 1990.
      Tribal Art, New York, 6 May 1994.
      Tribal Art, London, 27 June 1994.
      Tribal Art, New York, 31 October 1994.

    Stanley, Henry M. In Darkest Africa, or the Quest, Rescue, and Retreat of Emin Governor of Equatoria, 2 vols. (New York: Charles Scribner's Sons, 1891).

    Stone Natadi Sculpture or Bas-Zaire: March-June 1981 (New York: African Sculpture Unlimited, 1981).

    Tepilit Ole Saitoti. The Worlds of a Maasai Warrior ( New York: Random House,1986).

    Thompson, Jerry L., and Susan Vogel. CloseUp: Lessons in the Art of Seeing African Sculpture from an American Collection and the Horstmann Collection (New York: The Center for African Art, 1990).

    Thompson, Robert Farris. African Art in Motion (Berkeley and Los Angeles: The University of California Press, 1974).

    __________, and Joseph Cornet. The Four Moments of the Sun: Kongo Art in Two Worlds (Washington, D.C.: The National Gallery of Art, 1981).

    Torday, E., and T.A. Joyce. Notes Ethnographiques sur des Populations Habitant les Bassins du Kasai et du Kwango Oriental: 1. Peuplades de la foret; 2. Peuplades de prairies (Brussels: September 1922).

    __________, Notes Ethnographiques sur les Peuples Communement Appeles Bakuba, Ainsi Que sur les Peuplades Apparentees. - Les Bushongo (Brussels: Fevrier, 1911).

    Vansina, J. Art History in Africa: An Introduction to Method (London and New York: Longman, 1987).

    Vogel, Suan Mullin. African Masterpieces from the Musee de l Homme (New York: The Center for African Art and Harry N. Abrams, Inc., 1985).

    __________, Aesthetics of African Art: The Carlo Monzino Collection (New York: The Center for African Art, 1986).

    von Mareidi, and Gert Stoll. Ibeji: Twin Figures of the Yoruba (Dusseldorf: Hub. Hoch, 1980).

    Waffen aus Zentral-Afrika (Frankfort: Museum fur Volkerkunde, 1985).

    Walker, Roslyn A. African Art In Cultural Context; An Introduction to Traditional African Art (Peoria, Illinois: Lakeview Museum of Arts and Sciences,1981).

    Wardwell, Allen. African Sculpture from the University of Pennsylvania Museum (Philadelphia: Philadelphia Museum of Art, 1986).

    Wassing, Rene S. African Art; Its Background and Traditions (Hong Kong: Leon Amiel Publisher, 1968).

    Westerdijk, Peter. The African Throwing Knife: A Style Analysis (Netherlands: University of Utrecht, 1988).

    Wilson, Dr. Jonathan and Adelaide, Sierra Leone nationals, personal interview. (Baltimore, 29-30 December, 1995).

    Winizki, Ernst. Afrikanische Loffel, African Spoons (New York: OAN, 1990).

    Witte, Hans. Art from Mali ( Rotterdam: Gallery Steven van de Raadt & Kathy van der Pas, May 1993).

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